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The Real Book in E Flat is the first fronsposition book of its kind. It offers the hom. Eflat Real Book has been n-edited to insure accuracy of the transpositions. AFRICAN FLOWER. Duke EccINGTON. The jazz real book (saxo - eb).pdf. The jazz real book (saxo - eb).pdf.
Enter any part of the title you want to search for..
Tip : If you are unsure of the spelling of any word in the title, justleave it out. If you include a wrongly spelled word then you will get no hits.
Illegal fake books :
* Books marked with an asterisk are illegal as the composers & publishers of the tunes included have not given their permission for the tunes to be included, nor do they receive any royalties. For reasons of both legality and musical quality we do not recommend that you should attempt to obtain any illegal books, nor do we know where you could get them from anyway. However, there was a time when some of these illegal books were the only source for much jazz material and for this historical reason there are copies on many people's bookshelves. Their indexes are included here as they may be helpful to these people. Please do not ask us about obtaining them as you will not get any reply.
It's for locating tunes rapidly without having to pull armloads of fakebooks off your bookshelf - you can go straight to the right one(s). Also if you want to buy a new fakebook, it might help you to decide which one you want.
You should type one or more words (or partial words) separated by spaces, in the text field alongside the 'Search' button.
Download doom 3 resurrection of evil pc iso gameplay. All matching is case insensitive, and all characters typed are searched for literally (so don't use quotation marks unless the title you're looking for has quotation marks in it).
It doesn't make any difference what order you type your words in, but every word or partial word you type must be matched by some part of the title to get a hit on that title. So if you type 'Lover Man' (or 'man lover') then this will match both 'Loverman' and 'Lover Man'.
If you give a very short search string such as 'a' or 'love' then this will match too many titles for the search to be useful. In this case you will get a messsage suggesting that you should be a bit more specific.
If the title you are looking for is actually several words long then the best way to be more specific is to add some more words (or partial words) to your search.
Alternatively (if the title is short) you could specify that only short titles should be matched, by making a selection in the 'Match titles of length' selection list, or you could specify 'Match whole words only' which means that 'love' will not match a title with the word 'lover' in it.
Normally, the matching of partial words is useful : if you can't remember whether the title you are looking for is 'Blue Sky' or 'Blue Skies' then a search for 'blue sk' will nail it.
Accented characters appear as their unaccented equivalents (i.e. French 'e-acute' becomes plain 'e').
Paired quotation marks always use double-blip quotes (Take the 'A' Train). Single-blip is used only as apostrophe (Ain't Misbehavin').
Then you could always transcribe it from a recording yourself. By an amazing coincidence it just so happens that that we (Seventh String Software) have written a program specifically to help with this task. It's called 'Transcribe!', it runs on Windows, Mac, and Linux, and you can download it right now for a 30 day free trial.
Click here for information about Transcribe! (software to help transcribe recorded music) .
Then please email us to let us know. If the book you have in mind is relevant to jazz musicians then we might very well be happy to add it to this index. Note, however, that we do not plan to add any more illegal books as there are so many good legal books these days.
Here are some links to publishers' websites where you can find more information and places to buy books. Note that we don't give out complete listings of book contents but you can often find such listings at the publisher's site, or at SendMeMusic
Although every effort has been made to ensure accuracy, we cannot guarantee it, and in fact there will surely be errors in any list this long. Please tell us of any errors you find, also any suggestions for other books to include or other improvements.
Titles of artworks in general do not have copyright, and as this site has only the titles and not the content, to the best of our belief this site does not violate anyone's copyright.
The Fake Book Index is Copyright © 1998-2020 Seventh String Software. That is to say, the ideas expressed are not copyright (they can't be) but their expression in the files and data of this site is copyright.
Recommend this page to others, on these social network sites:
The Real Book may refer to a number of compilations of lead sheets for jazz standards. It usually refers to the first volume of a series of books transcribed and collated by Berklee College of Music students during the 1970s.[1]
The name distinguishes it from widely available fake books, which print only chords and lyrics of standard songs to avoid copyright infringement. The Real Book included melody lines, thus infringing on copyright. Older versions were unlicensed and paid no royalties to copyright holders. In 2004, Hal Leonard published a licensed edition, which paid royalties.
The Real Book is published in editions to suit B♭, E♭, and C (concert pitch) instruments, as well as bass clef and voice editions ('low' and 'high' voice, with lyrics). Each edition is paginated identically.
Compositions by Steve Swallow, Paul Bley, and Chick Corea are heavily represented in The Real Book with jazz standards and classic jazz compositions. Those were the songs that were played most in Boston in the early 1970s when the book was written.[1] When Swallow was asked about the origin in February 2018, he said the book was written by students at Berklee who wanted to make money. They asked permission to use some of his songs, and he agreed. Swallow asked Bley and Steve Kuhn if they wanted some of their songs included, and they did; so they all contributed lead sheets. Swallow helped briefly with editing.[2]
Then I watched these guys finally get the book together. One of them had a beautiful manuscript that subsequently became classic—it's called the Real Book font, and it imitates with uncanny accuracy his hand. He went on to be a big-time music copyist in Hollywood.. The irony is that shortly after the book was put out, some other people realized they could photocopy it and sell it themselves, and the two guys who did all the work and put the book together made a lot less money than they had hoped to because there were imitation Real Books out there almost immediately.. The Real Book was imperfect; there were wrong changes throughout it, but it was tremendously more accurate than what existed previously. And also, it was a lot more legible; it was easy to read.'[2]
Only the first volume is the original. The two following volumes of The Real Book were produced. Volume 2 is printed in characteristically 'rough' handwriting and transcription, while the third volume is typeset on a computer. The transcriptions in The Real Book are unlicensed; no royalties are paid to the musicians whose songs appear in the book. Consequently, the book violates copyright and is therefore illegal. In the past, it was usually sold surreptitiously in local music stores, often hidden behind the counter for customers who asked. PDF editions of the book are often available illegally on P2P networks.
The name is most likely a play on words from the common name for these types of song folios: 'fake book'. But it could have been influenced by the Boston alternative weekly newspaper, The Real Paper, started by writers of The Phoenix newspaper in Boston after a labor dispute.
A variety of dates have been attributed to the book. The April 1990 issue of Esquire featured The Real Book in the 'Man at His Best' column by Mark Roman in an article called 'Clef Notes'. He stated, 'I don't know a jazzman who hasn't owned, borrowed, or Xeroxed pages from a Real Book at least once in his career,' and he quoted John F. Voigt, music librarian at Berklee. 'The Real Book came out around 1971.[3] The only material available in print then was crap.'
Another feature surfaced on April 10, 1994, in The New York Times article 'Flying Below the Radar of Copyrights'. Guitarist Bill Wurtzel was quoted as saying, 'Everyone has one, but no one knows where they come from.' The writer of the article, Michael Lydon, said, 'I got mine in 1987 from a bassist who lives in Queens and who attended the Berklee School of Music in Boston; many in jazz circles suspect that students there reproduced the first copies of it in the mid-70s.'[4]
Pat Metheny claims that while teaching at Berklee College of Music from 1973 to '74, one of his guitar students and one of Gary Burton's vibraphone students (both of whom wish to remain anonymous) invented the idea of assembling the anthology that would form The Real Book.[1]
In 2004, music publisher Hal Leonard obtained the rights to most of the tunes contained in the original Real Book and published the first legal edition, calling it the Real Book Sixth Edition in tacit acknowledgment of the five previous illegal versions. The cover and binding are identical to the 'old' Real Book, and the books employ a font similar to the handwritten style of the originals although the new editions are more legible. The other main improvements are that most of the editing mistakes have been corrected and every tune has been licensed and the copyright owners are being paid for the use of their intellectual property.
One hundred and thirty-seven tunes are missing in the 6th edition that were in the 5th, while 90 new tunes have been added.[5]
Hal Leonard released The Real Book, Volume II, Second Edition in answer to the Real Book, Volume II. This was followed by The Real Book, Volume III, Second Edition (July 2006), The Real Book, Volume IV (December 2010), The Real Book, Volume V (June 2013), and The Real Book, Volume VI (June 2016). These books contain much of the same material as their counterparts, and in most cases charts from Hal Leonard books are compatible with the Real Book charts. In some cases, compatibility issues occur where corrections have been made to some of the mistakes in the 5th edition charts; in other cases, 6th edition charts may reference changes on better or more authoritative recordings.
Note: The New Real Book, also in 3 volumes, published by Sher Music Co.,[7] is another legal and readily available modern alternative. The collection of tunes in it differs from the original Real Book, but this edition offers some of the same songs, in new transcriptions and a different notation.
Some other music publishers also apply the term Real Book to their own publications — for example, the Associated Board of the Royal Schools of Music publishes The AB Real Book. Alfred Publishing Co. has three real books.
The Real Book in E Flat is the first fronsposition book of its kind. It offers the hom. Eflat Real Book has been n-edited to insure accuracy of the transpositions. AFRICAN FLOWER. Duke EccINGTON. The jazz real book (saxo - eb).pdf. The jazz real book (saxo - eb).pdf.
Enter any part of the title you want to search for..
Tip : If you are unsure of the spelling of any word in the title, justleave it out. If you include a wrongly spelled word then you will get no hits.
Illegal fake books :
* Books marked with an asterisk are illegal as the composers & publishers of the tunes included have not given their permission for the tunes to be included, nor do they receive any royalties. For reasons of both legality and musical quality we do not recommend that you should attempt to obtain any illegal books, nor do we know where you could get them from anyway. However, there was a time when some of these illegal books were the only source for much jazz material and for this historical reason there are copies on many people\'s bookshelves. Their indexes are included here as they may be helpful to these people. Please do not ask us about obtaining them as you will not get any reply.
It\'s for locating tunes rapidly without having to pull armloads of fakebooks off your bookshelf - you can go straight to the right one(s). Also if you want to buy a new fakebook, it might help you to decide which one you want.
You should type one or more words (or partial words) separated by spaces, in the text field alongside the \'Search\' button.
Download doom 3 resurrection of evil pc iso gameplay. All matching is case insensitive, and all characters typed are searched for literally (so don\'t use quotation marks unless the title you\'re looking for has quotation marks in it).
It doesn\'t make any difference what order you type your words in, but every word or partial word you type must be matched by some part of the title to get a hit on that title. So if you type \'Lover Man\' (or \'man lover\') then this will match both \'Loverman\' and \'Lover Man\'.
If you give a very short search string such as \'a' or \'love\' then this will match too many titles for the search to be useful. In this case you will get a messsage suggesting that you should be a bit more specific.
If the title you are looking for is actually several words long then the best way to be more specific is to add some more words (or partial words) to your search.
Alternatively (if the title is short) you could specify that only short titles should be matched, by making a selection in the \'Match titles of length\' selection list, or you could specify \'Match whole words only\' which means that \'love\' will not match a title with the word \'lover\' in it.
Normally, the matching of partial words is useful : if you can\'t remember whether the title you are looking for is \'Blue Sky\' or \'Blue Skies\' then a search for \'blue sk\' will nail it.
Accented characters appear as their unaccented equivalents (i.e. French \'e-acute\' becomes plain \'e').
Paired quotation marks always use double-blip quotes (Take the \'A' Train). Single-blip is used only as apostrophe (Ain\'t Misbehavin\').
Then you could always transcribe it from a recording yourself. By an amazing coincidence it just so happens that that we (Seventh String Software) have written a program specifically to help with this task. It\'s called \'Transcribe!\', it runs on Windows, Mac, and Linux, and you can download it right now for a 30 day free trial.
Click here for information about Transcribe! (software to help transcribe recorded music) .
Then please email us to let us know. If the book you have in mind is relevant to jazz musicians then we might very well be happy to add it to this index. Note, however, that we do not plan to add any more illegal books as there are so many good legal books these days.
Here are some links to publishers\' websites where you can find more information and places to buy books. Note that we don\'t give out complete listings of book contents but you can often find such listings at the publisher\'s site, or at SendMeMusic
Although every effort has been made to ensure accuracy, we cannot guarantee it, and in fact there will surely be errors in any list this long. Please tell us of any errors you find, also any suggestions for other books to include or other improvements.
Titles of artworks in general do not have copyright, and as this site has only the titles and not the content, to the best of our belief this site does not violate anyone\'s copyright.
The Fake Book Index is Copyright © 1998-2020 Seventh String Software. That is to say, the ideas expressed are not copyright (they can\'t be) but their expression in the files and data of this site is copyright.
Recommend this page to others, on these social network sites:
The Real Book may refer to a number of compilations of lead sheets for jazz standards. It usually refers to the first volume of a series of books transcribed and collated by Berklee College of Music students during the 1970s.[1]
The name distinguishes it from widely available fake books, which print only chords and lyrics of standard songs to avoid copyright infringement. The Real Book included melody lines, thus infringing on copyright. Older versions were unlicensed and paid no royalties to copyright holders. In 2004, Hal Leonard published a licensed edition, which paid royalties.
The Real Book is published in editions to suit B♭, E♭, and C (concert pitch) instruments, as well as bass clef and voice editions (\'low\' and \'high\' voice, with lyrics). Each edition is paginated identically.
Compositions by Steve Swallow, Paul Bley, and Chick Corea are heavily represented in The Real Book with jazz standards and classic jazz compositions. Those were the songs that were played most in Boston in the early 1970s when the book was written.[1] When Swallow was asked about the origin in February 2018, he said the book was written by students at Berklee who wanted to make money. They asked permission to use some of his songs, and he agreed. Swallow asked Bley and Steve Kuhn if they wanted some of their songs included, and they did; so they all contributed lead sheets. Swallow helped briefly with editing.[2]
Then I watched these guys finally get the book together. One of them had a beautiful manuscript that subsequently became classic—it\'s called the Real Book font, and it imitates with uncanny accuracy his hand. He went on to be a big-time music copyist in Hollywood.. The irony is that shortly after the book was put out, some other people realized they could photocopy it and sell it themselves, and the two guys who did all the work and put the book together made a lot less money than they had hoped to because there were imitation Real Books out there almost immediately.. The Real Book was imperfect; there were wrong changes throughout it, but it was tremendously more accurate than what existed previously. And also, it was a lot more legible; it was easy to read.\'[2]
Only the first volume is the original. The two following volumes of The Real Book were produced. Volume 2 is printed in characteristically \'rough\' handwriting and transcription, while the third volume is typeset on a computer. The transcriptions in The Real Book are unlicensed; no royalties are paid to the musicians whose songs appear in the book. Consequently, the book violates copyright and is therefore illegal. In the past, it was usually sold surreptitiously in local music stores, often hidden behind the counter for customers who asked. PDF editions of the book are often available illegally on P2P networks.
The name is most likely a play on words from the common name for these types of song folios: \'fake book\'. But it could have been influenced by the Boston alternative weekly newspaper, The Real Paper, started by writers of The Phoenix newspaper in Boston after a labor dispute.
A variety of dates have been attributed to the book. The April 1990 issue of Esquire featured The Real Book in the \'Man at His Best\' column by Mark Roman in an article called \'Clef Notes\'. He stated, \'I don\'t know a jazzman who hasn\'t owned, borrowed, or Xeroxed pages from a Real Book at least once in his career,\' and he quoted John F. Voigt, music librarian at Berklee. \'The Real Book came out around 1971.[3] The only material available in print then was crap.\'
Another feature surfaced on April 10, 1994, in The New York Times article \'Flying Below the Radar of Copyrights\'. Guitarist Bill Wurtzel was quoted as saying, \'Everyone has one, but no one knows where they come from.\' The writer of the article, Michael Lydon, said, \'I got mine in 1987 from a bassist who lives in Queens and who attended the Berklee School of Music in Boston; many in jazz circles suspect that students there reproduced the first copies of it in the mid-70s.\'[4]
Pat Metheny claims that while teaching at Berklee College of Music from 1973 to \'74, one of his guitar students and one of Gary Burton\'s vibraphone students (both of whom wish to remain anonymous) invented the idea of assembling the anthology that would form The Real Book.[1]
In 2004, music publisher Hal Leonard obtained the rights to most of the tunes contained in the original Real Book and published the first legal edition, calling it the Real Book Sixth Edition in tacit acknowledgment of the five previous illegal versions. The cover and binding are identical to the \'old\' Real Book, and the books employ a font similar to the handwritten style of the originals although the new editions are more legible. The other main improvements are that most of the editing mistakes have been corrected and every tune has been licensed and the copyright owners are being paid for the use of their intellectual property.
One hundred and thirty-seven tunes are missing in the 6th edition that were in the 5th, while 90 new tunes have been added.[5]
Hal Leonard released The Real Book, Volume II, Second Edition in answer to the Real Book, Volume II. This was followed by The Real Book, Volume III, Second Edition (July 2006), The Real Book, Volume IV (December 2010), The Real Book, Volume V (June 2013), and The Real Book, Volume VI (June 2016). These books contain much of the same material as their counterparts, and in most cases charts from Hal Leonard books are compatible with the Real Book charts. In some cases, compatibility issues occur where corrections have been made to some of the mistakes in the 5th edition charts; in other cases, 6th edition charts may reference changes on better or more authoritative recordings.
Note: The New Real Book, also in 3 volumes, published by Sher Music Co.,[7] is another legal and readily available modern alternative. The collection of tunes in it differs from the original Real Book, but this edition offers some of the same songs, in new transcriptions and a different notation.
Some other music publishers also apply the term Real Book to their own publications — for example, the Associated Board of the Royal Schools of Music publishes The AB Real Book. Alfred Publishing Co. has three real books.
The Real Book in E Flat is the first fronsposition book of its kind. It offers the hom. Eflat Real Book has been n-edited to insure accuracy of the transpositions. AFRICAN FLOWER. Duke EccINGTON. The jazz real book (saxo - eb).pdf. The jazz real book (saxo - eb).pdf.
Enter any part of the title you want to search for..
Tip : If you are unsure of the spelling of any word in the title, justleave it out. If you include a wrongly spelled word then you will get no hits.
Illegal fake books :
* Books marked with an asterisk are illegal as the composers & publishers of the tunes included have not given their permission for the tunes to be included, nor do they receive any royalties. For reasons of both legality and musical quality we do not recommend that you should attempt to obtain any illegal books, nor do we know where you could get them from anyway. However, there was a time when some of these illegal books were the only source for much jazz material and for this historical reason there are copies on many people\'s bookshelves. Their indexes are included here as they may be helpful to these people. Please do not ask us about obtaining them as you will not get any reply.
It\'s for locating tunes rapidly without having to pull armloads of fakebooks off your bookshelf - you can go straight to the right one(s). Also if you want to buy a new fakebook, it might help you to decide which one you want.
You should type one or more words (or partial words) separated by spaces, in the text field alongside the \'Search\' button.
Download doom 3 resurrection of evil pc iso gameplay. All matching is case insensitive, and all characters typed are searched for literally (so don\'t use quotation marks unless the title you\'re looking for has quotation marks in it).
It doesn\'t make any difference what order you type your words in, but every word or partial word you type must be matched by some part of the title to get a hit on that title. So if you type \'Lover Man\' (or \'man lover\') then this will match both \'Loverman\' and \'Lover Man\'.
If you give a very short search string such as \'a' or \'love\' then this will match too many titles for the search to be useful. In this case you will get a messsage suggesting that you should be a bit more specific.
If the title you are looking for is actually several words long then the best way to be more specific is to add some more words (or partial words) to your search.
Alternatively (if the title is short) you could specify that only short titles should be matched, by making a selection in the \'Match titles of length\' selection list, or you could specify \'Match whole words only\' which means that \'love\' will not match a title with the word \'lover\' in it.
Normally, the matching of partial words is useful : if you can\'t remember whether the title you are looking for is \'Blue Sky\' or \'Blue Skies\' then a search for \'blue sk\' will nail it.
Accented characters appear as their unaccented equivalents (i.e. French \'e-acute\' becomes plain \'e').
Paired quotation marks always use double-blip quotes (Take the \'A' Train). Single-blip is used only as apostrophe (Ain\'t Misbehavin\').
Then you could always transcribe it from a recording yourself. By an amazing coincidence it just so happens that that we (Seventh String Software) have written a program specifically to help with this task. It\'s called \'Transcribe!\', it runs on Windows, Mac, and Linux, and you can download it right now for a 30 day free trial.
Click here for information about Transcribe! (software to help transcribe recorded music) .
Then please email us to let us know. If the book you have in mind is relevant to jazz musicians then we might very well be happy to add it to this index. Note, however, that we do not plan to add any more illegal books as there are so many good legal books these days.
Here are some links to publishers\' websites where you can find more information and places to buy books. Note that we don\'t give out complete listings of book contents but you can often find such listings at the publisher\'s site, or at SendMeMusic
Although every effort has been made to ensure accuracy, we cannot guarantee it, and in fact there will surely be errors in any list this long. Please tell us of any errors you find, also any suggestions for other books to include or other improvements.
Titles of artworks in general do not have copyright, and as this site has only the titles and not the content, to the best of our belief this site does not violate anyone\'s copyright.
The Fake Book Index is Copyright © 1998-2020 Seventh String Software. That is to say, the ideas expressed are not copyright (they can\'t be) but their expression in the files and data of this site is copyright.
Recommend this page to others, on these social network sites:
The Real Book may refer to a number of compilations of lead sheets for jazz standards. It usually refers to the first volume of a series of books transcribed and collated by Berklee College of Music students during the 1970s.[1]
The name distinguishes it from widely available fake books, which print only chords and lyrics of standard songs to avoid copyright infringement. The Real Book included melody lines, thus infringing on copyright. Older versions were unlicensed and paid no royalties to copyright holders. In 2004, Hal Leonard published a licensed edition, which paid royalties.
The Real Book is published in editions to suit B♭, E♭, and C (concert pitch) instruments, as well as bass clef and voice editions (\'low\' and \'high\' voice, with lyrics). Each edition is paginated identically.
Compositions by Steve Swallow, Paul Bley, and Chick Corea are heavily represented in The Real Book with jazz standards and classic jazz compositions. Those were the songs that were played most in Boston in the early 1970s when the book was written.[1] When Swallow was asked about the origin in February 2018, he said the book was written by students at Berklee who wanted to make money. They asked permission to use some of his songs, and he agreed. Swallow asked Bley and Steve Kuhn if they wanted some of their songs included, and they did; so they all contributed lead sheets. Swallow helped briefly with editing.[2]
Then I watched these guys finally get the book together. One of them had a beautiful manuscript that subsequently became classic—it\'s called the Real Book font, and it imitates with uncanny accuracy his hand. He went on to be a big-time music copyist in Hollywood.. The irony is that shortly after the book was put out, some other people realized they could photocopy it and sell it themselves, and the two guys who did all the work and put the book together made a lot less money than they had hoped to because there were imitation Real Books out there almost immediately.. The Real Book was imperfect; there were wrong changes throughout it, but it was tremendously more accurate than what existed previously. And also, it was a lot more legible; it was easy to read.\'[2]
Only the first volume is the original. The two following volumes of The Real Book were produced. Volume 2 is printed in characteristically \'rough\' handwriting and transcription, while the third volume is typeset on a computer. The transcriptions in The Real Book are unlicensed; no royalties are paid to the musicians whose songs appear in the book. Consequently, the book violates copyright and is therefore illegal. In the past, it was usually sold surreptitiously in local music stores, often hidden behind the counter for customers who asked. PDF editions of the book are often available illegally on P2P networks.
The name is most likely a play on words from the common name for these types of song folios: \'fake book\'. But it could have been influenced by the Boston alternative weekly newspaper, The Real Paper, started by writers of The Phoenix newspaper in Boston after a labor dispute.
A variety of dates have been attributed to the book. The April 1990 issue of Esquire featured The Real Book in the \'Man at His Best\' column by Mark Roman in an article called \'Clef Notes\'. He stated, \'I don\'t know a jazzman who hasn\'t owned, borrowed, or Xeroxed pages from a Real Book at least once in his career,\' and he quoted John F. Voigt, music librarian at Berklee. \'The Real Book came out around 1971.[3] The only material available in print then was crap.\'
Another feature surfaced on April 10, 1994, in The New York Times article \'Flying Below the Radar of Copyrights\'. Guitarist Bill Wurtzel was quoted as saying, \'Everyone has one, but no one knows where they come from.\' The writer of the article, Michael Lydon, said, \'I got mine in 1987 from a bassist who lives in Queens and who attended the Berklee School of Music in Boston; many in jazz circles suspect that students there reproduced the first copies of it in the mid-70s.\'[4]
Pat Metheny claims that while teaching at Berklee College of Music from 1973 to \'74, one of his guitar students and one of Gary Burton\'s vibraphone students (both of whom wish to remain anonymous) invented the idea of assembling the anthology that would form The Real Book.[1]
In 2004, music publisher Hal Leonard obtained the rights to most of the tunes contained in the original Real Book and published the first legal edition, calling it the Real Book Sixth Edition in tacit acknowledgment of the five previous illegal versions. The cover and binding are identical to the \'old\' Real Book, and the books employ a font similar to the handwritten style of the originals although the new editions are more legible. The other main improvements are that most of the editing mistakes have been corrected and every tune has been licensed and the copyright owners are being paid for the use of their intellectual property.
One hundred and thirty-seven tunes are missing in the 6th edition that were in the 5th, while 90 new tunes have been added.[5]
Hal Leonard released The Real Book, Volume II, Second Edition in answer to the Real Book, Volume II. This was followed by The Real Book, Volume III, Second Edition (July 2006), The Real Book, Volume IV (December 2010), The Real Book, Volume V (June 2013), and The Real Book, Volume VI (June 2016). These books contain much of the same material as their counterparts, and in most cases charts from Hal Leonard books are compatible with the Real Book charts. In some cases, compatibility issues occur where corrections have been made to some of the mistakes in the 5th edition charts; in other cases, 6th edition charts may reference changes on better or more authoritative recordings.
Note: The New Real Book, also in 3 volumes, published by Sher Music Co.,[7] is another legal and readily available modern alternative. The collection of tunes in it differs from the original Real Book, but this edition offers some of the same songs, in new transcriptions and a different notation.
Some other music publishers also apply the term Real Book to their own publications — for example, the Associated Board of the Royal Schools of Music publishes The AB Real Book. Alfred Publishing Co. has three real books.